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As a writer, I always research detail and background for my novels. I don’t mind zombies, dragons, or ghosts, but I start with truth. The world you build for your story has to be believable. Location is important. If my novel is set in the west, I want my flora and fauna to be correct for the locale. I hate movies and stories with saguaro cacti in Wyoming or sycamore trees in Africa. Having a story based solidly on facts before jumping off into fiction makes it easier to believe and easier to write.

Personally, I enjoy research. I am a font of obscure and little known facts. I kill on Trivial Pursuit unless it’s the sports category. My current writing project, Shadow Legion, is set in 165 A.D. Saharan North Africa – Tripolitania to be exact. I wanted the Roman armor and weapons, the location, the historical characters, and even the food to be authentic for the period. Once I established that, I brought in legends of Eden, the Kashites who lived east of Eden, and certain aspects of Lovecraft’s Cthulhu Mythos for terror. Building horror on a solid historical basis makes it feel more shocking and allows the author to submerge the reader more deeply into the story line.

Sometimes I run across a bit of trivia and ask, “What if?” Blending two ideas into one; then, tossing in a bit of drama, horror, or adventure can make a compelling story. I believe too many people today have lost the desire to learn new things. We use the internet to Google information when we need it, or rely on Facebook memes as history lessons. No one just chooses a subject at random and gleans all they can from it. My favorite reading as a child was the Encyclopedia Britannica. It was like opening doorways through time and space, sometimes with photographs. It still surprises me how much of what I read sticks with me after all these years.

This doesn’t mean I don’t get things wrong. I do. You must choose your sources carefully. I once wrote a novel using Navajo legends using a source that, it seems, was full of shit. The author got so much wrong I had to scrap the entire project and start over. I try to be meticulous, but you can’t sweat the small stuff. It will kill you if you do. I have several novels I wish I could go back and re-write. Perhaps someday I will.

Write what you know and write what you like. It’s good advice for any writer. I try to follow it on a daily basis. I also suggest widening what you know and what you like. It will keep your writing fresh.

My latest Young Adult/New Adult science fiction novel, The Pools of Yarah, from Montag Press, has just been released. Publishing is a long process. It’s like waiting for Christmas, starting December 26th. You have rewrites, edits, more edits, cover art, more edits, review copy edits, and final publishing. A writer has usually moved ahead during this time, working on other novels. It is difficult to go back to that time frame, that character, each time to made the edits and keep it in character with the novel. Sometimes, it’s almost impossible.

Working on sequels offers the same challenges. I’m currently finishing a sequel to Oracle of Delphi, also from Montag. In the meantime, I’ve published five novels with a hundred different characters and five different plots. The Tad de Silva I knew grew up inside my head during that time, but I have to go back and regenerate the 17-year-old Tad a few weeks after Book I as if he had been asleep all that time. I know what changes he must go through, how he will develop and grow, but I can’t age him or make him wiser except in small steps. People don’t change overnight, or at least usually.

Being a writer means becoming each main character in your story, protagonists and antagonists. You must get inside their heads and make them live and

breathe for the reader. You must flesh them out using knowledge gleaned from your other characters; therefore, they are partly your creation and partly theirs. Placing yourself into some characters’ heads, especially really bad guys (or women), is scary. You wonder if you’re going to come out in one piece. That’s when it works for you and the reader.

Birthing a novel is like giving birth to a child, except the pain and anguish is all mental, not physical (And you don’t have to worry about them dating or wrecking the car). Once it’s in front of the public, you want to move on, but you can’t. Marketing takes a large chunk of most writers’ time. Some are good at it; some merely so-so. I admit it’s my weak point. I can sell a book face-to-face, but mass media marketing is a different animal altogether. I learn as I go. It’s probably not the best way. Kind of like learning to skydive as you go, but slightly less thrilling.

Like a young boy’s toys, at some point you have to put away your novels, trust your reading public, and move on.

Sniff. I’ll miss The Pools of Yarah. Oh, wait, I have a sequel in the works for that one too.

 

As a writer, I write a lot – mornings, afternoons, nights, and in between TV shows I want to watch. I try to make time for my wife and cats, but they all understand, at least the cats do. There are always the inevitable doctor or dentist appointments, trips to the grocery store for food (The cats insist), and the occasional entry into the world of real people to reacquaint myself with actual human beings and social interaction, but writing takes up most of my time (Well, playing music nibbles away a small corner).

Holidays can be tricky events for writers to maneuver, like rapids in a river. It is good to see friends and family, sit down for a Thanksgiving or Christmas dinner, and remember old times or talk about recent events. It is with such social gatherings that the very fabric of society is woven. I hear some people even venture out on Black Friday, but I write about zombies and apocalypses and have no desire to experience either personally without a weapon, and swords are frowned upon in most Best Buys, though I hear Walmart has a more user-friendly policy.

When writing is impossible, the mind can still function on levels beyond conversation and comments on the mashed potatoes. Entire character conversations can be conceived. Worlds can be created or destroyed. Can Uncle John’s nervous tic become a trait for a new character? Can Cousin Betty’s high-pitched laugh and tendency to slur her words after two glasses of wine make its way into a dinner-table dialogue in Chapter Three? Does Aunt June’s habit of tapping her foot under the table become the sound of a character’s cane along the worn cobblestones on a moonless night in Arkham?

Observing friends, family, and strangers can be an excellent method of adding more depth and realism to your characters. The flow of words during a conversation, or more importantly, the words that are omitted that still allow the listener to understand the speaker’s meaning, can change a dialogue from a boring exchange of words into a spellbinding revelation of information, nuance, and emotion.

Writing is not always sitting at the keyboard or holding pen in hand waiting for the muse to whisper in your ear or, if your muse is a bit heavy-handed, to kick you in the ass. Putting the words on the screen or on paper is important, but developing the story that the words convey is vital. This does not require marathon sessions at your desk. It is possible to create entire novels in your head while smiling and nodding politely, as your second cousin once removed Bob is describing his latest fishing or hunting trip, or the stranger next to you on the train tells you hos lousy his day has been.

Enjoy your holidays. Enjoy your friends and family. Keep writing.

 

 

Keys to Success as a Writer

Writing your first novel, or even your fifth, is only the first step in the process of becoming an established author. Sometimes, writing is the easy part. You have to ask yourself 3 big questions:

1. Is this work the best I can do? If the answer is yes, congratulations, but you’re probably wrong. Chances are you can do better. Lay it aside for a while and consider why it isn’t your best work, and then take steps to improve it. If the answer is no, lay it aside for a while think of how you can improve it. Refer back to the first sentence. The first key to success is producing a product – a novel, memoir, or technical book – that the reader can follow or enjoy without tripping over obvious typographical, technical, or continuity errors. To some readers, this is s death knell for a novel.

2. Did I say what I wanted to say? If yes, you’ve discovered one of the keys to successful writing. You’re a rarity. Treasure your ability. Few people actually wind up saying what they wanted to. They ramble, bloviate, or overwhelm the reader with fodder, writing that serves no purpose except to fill the page. Even in today’s modern print media, the writer sometimes takes three paragraphs to tell a story when three sentences would suffice. Purposeful brevity, punctuated by splashes of brilliant exposition, can hold a reader’s attention far longer than page after page of contrived metaphors, similes, or compound sentences.  If the answer is no, decide what you really wanted to say. Then decide why you want to say it and how to say it better.

3. Do I know my market? Key # 3 is often the most difficult to grasp. You have to know who your writing for and how to reach them. Internet search engines allow readers to search for books on any topic or combination of topics they desire. If they are interested in Late 18th century Catholic priests who hunt vampires using alien werewolf acolytes and technology stolen from the future by Vatican time travelers, they can find it. A writer must find his/her niche. The niche can be as narrowly defined or as broad as you wish. The smaller the niche, the smaller the audience, but the easier to reach them.I write horror and science fiction. Horror is a broad-based genre, unless you focus on slasher thrillers, gothic, paranormal, paranormal romance, gay/lesbian, or steam punk. My biggest sellers are apocalyptic, zombie, and Kaiju, or giant monster novels. I have a ready-made audience and use social media, like my website, Facebook groups, my two blogs, Goodreads groups, Twitter, and guest blogs to reach them. I recently participated in a #SummerofZombie 2015 Blog Tour with 37 other zombie authors. Guest blogs, giveaways, contests, t-shirts – it was a full-tilt effort. Each author got multiple opportunities for exposure with each author tweeting, blogging, and share posts around the world. I was able to ride the coattails of more well-known zombie authors like Jake Bible, Joe McKinney, and Jonathan Maberry to reach a wider audience.I also participate in an Authors Supporting Our Troops event each year, where writers donate books to be boxed and shipped overseas to troops in Iraq, Afghanistan, or any other foreign base. I received mentions by my local hometown National Guard, VFW, and American Legion, as well as a write-up in the local newspaper, all well worth the cost of a few books. 

These are the First 3 Keys to success. There are more.

1. Know your craft. Keep a thesaurus, a Strunk and White, or an Oxford book on punctuation usage handy. You can break the rules, but you need to know what the rules are first. I continuously refer to mine. There’s been a big 1 space or 2 after a sentence on Facebook. I fall into the 1 space follower. It saves pages in a book, reducing cost.
2.  Use words the reader can understand. It’s okay to send them to the dictionary every now and then, but can easily bog a reader down. Avoid repetition. Don’t use the same word or phrase too often, especially not in the same sentence. If something is the color red, call it red, rust, blood-colored, crimson, fuscia, ruddy, copper, garnet, rubicund, maroon. Don’t use red every time.
3. Do your Research. Whatever you write about, some reader will know more about the subject than you do. Make sure your technical data. I write about the military and weaponry. If I have a .45 caliber pistol using 200 grain ACP rounds, I need to know that a .45 caliber rifle using 400 grains of gunpowder aren’t the same ammunition and aren’t interchangeable. I write fiction, so I make stuff up, but unless I have sound technical and historical accuracy to base it on, it becomes fantasy and more difficult for the reader to submerge themselves into the story.
4. Keep a flow chart. You can use a written flow chart, a mental one, or a bunch of Post-It notes, but you need some way to keep track of timelines, characters, and events. I’ve read too many stories with poorly defined flashbacks, scene changes, or POV changes. If flashbacks are necessary to your story, make certain you place them where needed and that they contain the correct verb forms. Otherwise, an unwary reader can get lost. Define scene changes or point of view changes. Too many writers skip in and of character’s minds wily nily when a single point of view would be better. A second or third POV can be espoused for the scene later in a more clearly defined POV change. Rule # 1 – Don’t confuse the reader.

Your novel is completed, edited, and ready to go. You send it to the publisher, and they like it. Now, you sit back and relax or start work on your next novel.

Wrong. Even with a small press publisher, you will have one or more edits to deal with, and possibly a decision on the cover. You’ll need a blurb for the back and maybe a couple of review excerpts from other authors. With Big press publishers, it becomes even more complicated. If you self-publish, it’s all on you – cover art, formatting, editing.

Marketing. This is the point where most writers fail miserably, not from poor writing or an uninteresting subject matter. This is the one place where the Money should flow to the writer, not from him rule falls apart. Marketing can be as simple as word of mouth, a blog post, a posting on Facebook or a Tweet, or can cost thousands of dollars. Unless you believe you novel is heads and shoulders better than anything else out there, I would avoid spending large sums of cash in hopes of a greater return. There are thousands of authors writing thousands of books each year and most readers stick with writers they now.

Don’t sell your novel, sell yourself. Create an author’s platform. Put yourself out there wherever possible. Create an interest in you as a person and your book without hawking it like a sideshow barker – Buy my book!

Send arcs or review copies to reviewers that enjoy your subject matter. Do not bombard every reviewer you can find on the internet. A reviewer of vampire romance or children’s novels isn’t going to gain you an audience unless that’s what you’re writing. Be as specific as possible to whom you send review copies. Be aware some reviewers may take months to get to your novel, if they do at all. To them, it’s a numbers game. To you, it’s your future. There are many small review bloggers out there who would love to review your novel. It’s how they get their reading material for free. Use a link to their blog review of your novel on Facebook, Goodreads, your blog, your website. Make copies to hand out at book signing events.

Contact your local newspaper book reviewers. Local coverage is the best advertising. Build a base close to home and then expand to state, regional, and national levels.

Advertise. Postcards, bookmarks, business cards, and flyers can be an inexpensive way to get word put about your book. Vistaprint, Printrunner, or someone like them can produce posters or anything else for $30-40. Leave them at bookstores, conventions, or libraries. Logo items, such as ink pens are good giveaways. Larger items – coffee mugs, thermos cups, etc. are more costly but make great prizes.

If you aren’t on Facebook, don’t have an Amazon author’s page, Twitter, Goodreads, a blog or a website, do so. It can be free to inexpensive or as elaborate as you want. You can add buy links in your blogs or website to your books.

Keys to Success as a Writer

Zombie Defense Through the Ages

I’ve always been a big fan of military fiction and a bigger fan of military science fiction and horror. I’m also a friend and a fan of fellow Arizonan Weston Ochse. I loved Seal team 666 and thought, “How can he one-up that?” Well, he did.

I just finished Reign of Evil. I don’t know how Weston managed to weave American Special Forces, British Special Forces, Irish Special Forces, Celtic history, ultra-conservative British politicians, demon dogs, witches, and King Author (Yeah, that King Author) into one riveting tale, but damn if he didn’t do it. Reign of Evil  was non-stop action all the way through – pedal to the metal, balls to the walls, take no prisoners action. Weston’s personal military background allows him to inject realism and grunt minds into his military characters, and his slightly demented mind and penchant for meticulous research fleshes out his storyline until you BELIEVE.

Unlike a normal military unit, Weston’s Seal Team 666 takes on supernatural foes throughout the world. The body count is high, and he’s not afraid to kill a few good characters. In war,good people die, and the premise of his world is that we are at war with evil and the people who propagate it. It takes a hard man to do a hard job. Not that Weston isn’t afraid to utilize a few hard women along the way. Reign of Evil just shows the scope of which Weston is capable. He’s done zombies in the Salton Sea, ghosts in Deadwood, and survivors of a world holocaust living on a floating island of rusting ships. He really shines in his military fiction. Snafu, Seal Team 666, and Reign of Evil need to be on everyone’s bookshelf or Kindle.

If you haven’t picked up your copy of Reign of Evil, do it now before he sends the Hunt after you.